31 March 2024
Easter Sunday
30 March 2024
Pegasus
Statue of a poet astride Pegasus on a hidden square in the Opera district.
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Pegasus, winged master of air and earth, represents beauty, strength, speed, and artistic inspiration.
29 March 2024
Fondation Friday
Architect: Frank Gehry
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Fish Friday
Above: smoked salmon tartine with a glass of white
28 March 2024
Throwback Thursday
27 March 2024
Wake up Wednesday
26 March 2024
Tree-lined Tuesday
25 March 2024
Medici Monday
Unknown to lovers Acis and Galatea the hideous Cyclops Polyphemus, son of Poseidon, hovers just above.
My First Easter Egg
Still time:
- My First Easter Egg -
Create chocolate Easter eggs w/your child / grandchild
in Paris
Saturday March 30, 2024 - 2 1/2 hrs
22 March 2024
Floral Friday
21 March 2024
Theater Thursday
20 March 2024
Wall art Wednesday
19 March 2024
Espresso and Proust
18 March 2024
Museum Monday
17 March 2024
L'Hôtel
16 March 2024
Corner café
15 March 2024
14 March 2024
Rothko, in retrospect
- Last days -
I belong to a generation that was preoccupied with the human figure, it did not meet my needs. Whoever used it mutilated it. - Mark Rothko 1958
13 March 2024
Wine Wednesday
12 March 2024
Time travel Tuesday
11 March 2024
Moulin Monday
9 March 2024
Sandwich Saturday
8 March 2024
Foucault Friday
7 March 2024
Throwback Thursday
A Christmas Eve feast, in Montmartre
Above: pit fire on the patio; granny's pink crystal (3 glasses per place setting - champagne, wine, digestif); foie gras; a fine old Sauternes - for starters
6 March 2024
Wine Wednesday
Champagne, wine, beer and other refreshments set out for the evening screening at one of the many small art house cinémas that dot the Latin Quarter.
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The moment I arrived in Paris, my ritual began: straight to the nearest kiosk for the latest Pariscope or L'Officiel des Spectacles, those indispensable weekly guides listing every screening in the city. Over breakfast with pencil in hand I’d pore over the pages, plotting the perfect itinerary - what to see, in what order, at which cinemas.
These films - from the U.S., U.K., Germany, Japan, Italy, and beyond - had to be in their original languages (marked V.O. for version originale), a luxury rarely available in Barcelona, where variety was limited and dubbing reigned. Hearing actors in their true voices was non-negotiable; poorly synced translations were a deal breaker. Fortunately, as most titles were in English, subtitles never stole the show. - BPJ
Below: some of the cinémas that have survived
Montmartre:































