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Dutch artist couple Adya van Rees-Dutilh (1876-1959) and Otto van Rees (1884-1957) have returned to Montmartre, offering a fascinating example of a true artistic partnership at the heart of 20th-century modernism. They lived and worked in Montmartre's now famous Bateau-Lavoir (Picasso, Braque, van Dongen, Mondrian, Modigliani and poet/writer Max Jacob were part of their circle) and later, Montparnasse, in the era that helped define Pointillism, Cubism, Cloisonnism (with its flat planes of color, heavy dark contours and simplified forms) and eventually, Abstraction. The current exhibition at the Musée de Montmartre - with its refreshing garden, small tea room, and sweeping views - is the perfect opportunity to discover them. - BPJ
“A summer the likes of which I had never seen and never believed possible in our temperate climate: days when the thermometer in the shade rose to 45 degrees Celsius (113 Fahrenheit), not a single blade of grass, not a single flower by the 1st of July, the trees turning yellow and losing their leaves, the earth cracking open as if to bury us, the terror of running out of water from one day to the next… - George Sand's description of the heatwave in France in September 1870, in her book Le Journal d’un voyageur pendant la guerre ("The Journal of a Traveler During the War") - the Franco-Prussian War - part of a hot dry summer. - BPJ